A building by Frank Lloyd Wright (1867-1959) is at once unmistakably individual, and evocative of an entire era. Notable for their exceptional understanding of an organic environment, as well as for their use of steel and glass to revolutionize the interface of indoor and outdoor, Wright's designs helped announce the age of modernity, as much as they secured his own name in the annals of architectural genius. This meticulous compilation from TASCHEN's previous three-volume monograph assembles the most important works from Wright's extensive, paradigm-shifting oeuvre into one authoritative and accessibly priced overview of America's most famous architect. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, the collection spans the length and breadth of Wright's projects, both realized and unrealized, from his early Prairie Houses, through the Usonian concept home, epitomized by Fallingwater, the Tokyo years, his progressive "living architecture" buildings, right through to later schemes like the Guggenheim Museum, New York, and fantastic visions for a better tomorrow in the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, discusses recent research on Wright and gives his own insights on these game-changing buildings.

Acclaimed as the "father of skyscrapers," the quintessentially American icon Frank Lloyd Wright (1867-1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum. Wright's work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as "the best all-time work of American architecture." Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity. Exploring Wright's aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Olgivanna Wright, the last of Frank Lloyd Wright's three wives. Neo-theosophist. Dancer. Musician. Businesswoman. Muse. The Life of Olgivanna Lloyd Wright weaves a narrative from Olgivanna's previously unpublished autobiography, together with vignettes from her other writings books, newspaper columns, and presentations. This informative and engaging chronicle takes a fresh perspective on Wright's architectural prowess, examining the great woman who inspired his productive later years.

Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.

He was the most iconoclastic of architects, and at the height of his career his output of writings about architecture was as prolific and visionary as his architecture itself. Frank Lloyd Wright pioneered a bold new kind of architecture, one in which the spirit of modern man truly "lived in his buildings." "The Essential Frank Lloyd Wright" is a one-volume compendium of Wright's most critically important--and personally revealing--writings on every conceivable aspect of his craft.

Wright was perhaps the most influential and inspired architect of the twentieth century, and this is the only book that gathers all of his most significant essays, lectures, and articles on architecture. Bruce Pfeiffer includes each piece in its entirety to present the architect's writings as he originally intended them. Beginning early in Wright's career with "The Art and Craft of the Machine" in 1901, the book follows major themes through "The Disappearing City, The Natural House," and many other writings, and ends with A" Testament" in 1957, published two years before his death. This volume is beautifully illustrated with original drawings and photographs, and is complemented by Pfeiffer's general introduction, which provides history and context. "The Essential Frank Lloyd Wright" is a must-have resource for architects and scholars and a delight for general readers.

In 1932 nineteen-year-old John H. Howe arrived at Taliesin as a charter member of Frank Lloyd Wright's Taliesin Fellowship. There he would remain for the next thirty-two years, earning a reputation as "the pencil in Wright's hand" before establishing his own architectural practice in Minnesota. This is the first book to tell Howe's story and also the first full account of his place in the history of modern architecture-as chief draftsman and valued interpreter of Wright's designs and as a prolific architect in his own right. Illustrated throughout with Howe's sublime drawings, this biography is a testament to the underappreciated architect's extraordinary design and rendering skills. Influenced by Wright's principles of organic architecture, Howe operated under the conviction that "the land is the beginning of architecture." Architectural historians Jane King Hession and Tim Quigley show how this belief worked especially well for Howe in Minnesota, where his buildings appear to have grown naturally and organically from the landscape. Also remarkable are the visionary architectural schemes Howe created while serving time in prison during World War II as a conscientious objector-futuristic visions that anticipated Eero Saarinen's later designs for airports and Victor Gruen's for America's first indoor shopping mall. An enlightening look at an exemplary life in architecture, this book finally brings the accomplishment-and significance-of John H. Howe to the fore and at the same time illuminates a fascinating chapter in American architectural history.